Wednesday, March 30, 2011
Senator Joe Addabbo's Statement on the Late Geraldine Ferraro
Monday, November 29, 2010
RIP Leslie Nielson - The Swamp Fox
Leslie Nielsen, Actor, Dies at 84 - NY Times
By ANITA GATES
Leslie Nielsen, the Canadian-born actor who in middle age tossed aside three decades of credibility in dramatic and romantic roles to make a new, far more successful career as a comic actor in films like “Airplane!” and the “Naked Gun” series, died on Sunday in Fort Lauderdale, Fla. He was 84.
According to The Associated Press, his agent, John S. Kelly, said Mr. Nielsen died at a hospital near his home in Fort Lauderdale where he was being treated for pneumonia.
Mr. Nielsen, a tall man with a matinee-idol profile, was often cast as an earnest hero at the beginning of his film career, in the 1950s.
His best-known roles included the stalwart spaceship captain in the science fiction classic “Forbidden Planet” (1956), the wealthy, available Southern aristocrat in “Tammy and the Bachelor” (1957) and an ocean liner captain faced with disaster in “The Poseidon Adventure” (1972).
In the 1960s and ’70s, as his hair turned white and he became an even more distinguished figure, Mr. Nielsen played serious military men, government leaders and even a mob boss, appearing in crime dramas, westerns and the occasional horror movie.
Then, in the low-budget, big-money-making 1980 disaster-movie parody “Airplane!” he was cast as a clueless doctor on board a possibly doomed jetliner. Critics and audiences alike praised his deadpan comic delivery, and his career was reborn.
“Airplane!” was followed by a television series, “Police Squad!” (1982), from the film’s director-writers.
It lasted only six episodes, but Mr. Nielsen, his goofy character, Lt. Frank Drebin, and the creators went on to three successful feature-film spinoffs.
The first, “The Naked Gun: From the Files of Police Squad!” (1988), was followed by “The Naked Gun 2 ½: The Smell of Fear” (1991) and “The Naked Gun 33 1/3: The Final Insult” (1994), whose cast included Priscilla Presley, O. J. Simpson and Anna Nicole Smith.
Other filmmakers cast Mr. Nielsen in a variety of comedies, including “Repossessed” (1990), an “Exorcist” spoof with Linda Blair; “Dracula: Dead and Loving It” (1995); “Spy Hard” (1996); and “2001: A Space Travesty” (2000).
None were received as well as the “Naked Gun” films, but Mr. Nielsen found a new continuing role as the paranoid, out-of-control president of the United States in “Scary Movie 3” (2003) and “Scary Movie 4” (2006).
In keeping with his adopted comic persona, when Mr. Nielsen in 1993 published an autobiography, “Naked Truth,” it was one that cheerfully, blatantly fabricated events in his life.
They included two Academy Awards, an affair with Elizabeth Taylor and a stay at a rehabilitation center, battling dopey-joke addiction.
In real life he was nominated twice for Emmy Awards, in 1982 as outstanding lead actor in a comedy series for “Police Squad!” and in 1988 as outstanding guest actor in a comedy series for an episode of “Day by Day,” an NBC sitcom about yuppies and day care.
Off screen, he was made an Officer of the Order of Canada, the country’s highest civilian honor, in 2002.
Leslie William Nielsen was born on Feb. 11, 1926, in Regina, Saskatchewan.
The son of a member of the Royal Canadian Mounted Police of Danish heritage and a Welsh mother, he grew up in the Northwest Territories and in Edmonton, Alberta, where he graduated from high school. Jean Hersholt, the Danish-born actor and humanitarian, was an uncle.
Mr. Nielsen enlisted in the Royal Canadian Air Force before his 18th birthday and trained as an aerial gunner during World War II, but he was never sent overseas.
He began his career in radio in Calgary, Alberta, then studied at the Academy of Studio Arts in Toronto and at the Neighborhood Playhouse in New York. This led him to his television debut, in a 1950 episode of “Actors Studio,” an anthology series on CBS.
By the time Mr. Nielsen made his film debut, in 1956, he had made scores of appearances in series and performed in one Broadway play, “Seagulls Over Sorrento” in 1952, as a tyrannical navy petty officer.
He continued to make guest appearances in television series throughout his career, and with great regularity through the 1970s.
And he did stage work, touring North America and Britain in a one-man show about the crusading lawyer Clarence Darrow.
His final projects included “Lipshitz Saves the World” (2007), an NBC movie comedy, and “Scary Movie 5,” to be released.
Mr. Nielsen married four times. His first wife (1950-56) was Monica Boyer; his second (1958-73) was Alisande Ullman, with whom he had two daughters; and his third (1981-83) was Brooks Oliver. Those marriages ended in divorce.
In 2001 he married Barbaree Earl; a resident of Fort Lauderdale, she survives him, as do his daughters, Maura Nielsen Kaplan and Thea Nielsen Disney.
His elder brother, Erik Nielsen, who was deputy prime minister of Canada from 1984 to 1986, died in 2008.
In a 1988 interview with The New York Times, Leslie Nielsen discussed his career-rejuvenating transition to comedy, a development that he had recently described as “too good to be true.”
“It’s been dawning on me slowly that for the past 35 years I have been cast against type,” he said, “and I’m finally getting to do what I really wanted to do.”
Tuesday, July 13, 2010
George Steinbrenner, Yankees’ Owner, Dies at 80 - Obituary (Obit) by Richard Goldstein - NYTimes.com
George Steinbrenner, who bought a declining Yankees team in 1973, promised to stay out of its daily affairs and then, in an often tumultuous reign, placed his formidable stamp on 7 World Series championship teams, 11 pennant winners and a sporting world powerhouse valued at perhaps $1.6 billion, died Tuesday morning, the team announced. He was 80 and lived in Tampa, Fla. “He was a visionary and a giant in the world of sports. He took a great but struggling franchise and turned it into a champion again.”
Mr. Steinbrenner’s death came eight months after the Yankees won their first World Series title since 2000, clinching their six-game victory over the Philadelphia Phillies at his new Yankee Stadium, and two days after the team’s longtime public-address announcer Bob Sheppard died at age 99.
Mr. Steinbrenner had been in failing health for the past several years and rarely appeared in public. He attended the opening game at the new stadium in April 2009, sitting in his suite with his wife, Joan (pronounced Jo-ann). When he was introduced and received an ovation, his shoulders shook and he cried.
He next appeared at the Yankees’ new home for the first two games of the World Series, then made his final appearance at the 2010 home opener, when Manager Joe Girardi and shortstop Derek Jeter, the team captain, came to his suite to present him with his 2009 World Series championship ring.
Mr. Steinbrenner spoke for only 25 seconds at the stadium’s groundbreaking ceremony in August 2006.
The blustering owner long familiar to Yankees fans and foes briefly re-emerged in October 2007 in a newspaper interview, when he threatened to fire Manager Joe Torre if the team did not advance beyond the first round of the American League playoffs. The Yankees were eliminated by the Cleveland Indians in that round, and soon afterward Torre departed after rejecting a one-year contract extension with a cut in his guaranteed salary.
In the eyes of Yankees figures from Mr. Steinbrenner’s heyday, his aura endured despite his frailty.
“He’s arguably the most recognized owner in all of sports,” Jeter said after Mr. Steinbrenner was driven onto the field in a golf cart in a ceremony before the 2008 All-Star Game at the old stadium.
“To be able to deliver this to the Boss, to the stadium he created and the atmosphere he created around here, it’s very gratifying to all of us,” Girardi said after the Yankees’ World Series victory at the new stadium.
Mr. Steinbrenner, the Yankees’ principal owner and chairman, had ceded increasing authority to his sons, Hal and Hank, who became co-chairmen in May 2008. Hal Steinbrenner, the Yankees’ managing general partner as well, was given control of the team in November 2008 in a unanimous vote by the major league club owners, who acted on his father’s request.
Mr. Steinbrenner was the central figure in a syndicate that bought the Yankees from CBS for $10 million. When he arrived in New York on Jan. 3, 1973, he said he would not “be active in the day-to-day operations of the club at all.” Having made his money as head of the American Shipbuilding Company, based in Cleveland, he declared, “I’ll stick to building ships.”
But four months later, Michael Burke, who had been running the Yankees for CBS and had stayed on to help manage the franchise, departed after clashing with Mr. Steinbrenner. John McMullen, a minority owner in the syndicate, soon remarked that “nothing is as limited as being a limited partner of George’s.”
Mr. Steinbrenner emerged as one of the most powerful, influential and, in the eyes of many, notorious executives in sports. He was the senior club owner in baseball at his death, the man known as the Boss.
A pioneer of modern sports ownership, Mr. Steinbrenner started the wave of high spending for playing talent when free agency arrived in the mid-1970s, and he continued to spend freely through the Yankees’ revival in the late ’70s and early ’80s, the long stretch without a pennant and then renewed triumphs under Torre and General Manager Brian Cashman.
The Yankees’ approximately $210 million payroll in 2009 dwarfed all others in baseball, and the team paid out millions in baseball’s luxury tax and revenue-sharing with small-market teams.
In the frenetic ’70s and ’80s, when general managers, field managers and pitching coaches were sent spinning through Mr. Steinbrenner’s revolving personnel door (Billy Martin had five stints as manager), the franchise became known as the Bronx Zoo. In December 2002, Mr. Steinbrenner’s enterprise had grown so rich that the president of the Boston Red Sox, Larry Lucchino, frustrated over losing pitcher Jose Contreras to the Yankees, called them the “evil empire.”
But Mr. Steinbrenner and the Yankees thrived through all the arguments, all the turmoil, all the bombast. Having been without a pennant since 1964 when Mr. Steinbrenner bought them, enduring sagging attendance while the upstart Mets thrived, the Yankees once again became America’s marquee sporting franchise.
Yankee Stadium underwent a major renovation in the mid-1970s, but that did not satisfy Mr. Steinbrenner with the passing of years and the building of many new stadiums with luxury boxes catering to corporate America. He cast an eye toward New Jersey, pressed for a new stadium in Manhattan and ultimately got a $1.5 billion stadium built in the Bronx, alongside the original House That Ruth Built.
Mr. Steinbrenner found new revenue streams from cable television, first in a longtime deal with the Madison Square Garden network and then with the creation of the Yankees’ YES network. The franchise also engineered lucrative marketing deals, notably a 10-year, $95 million apparel agreement with Adidas.
In 2005, the Yankees became the second American League team to top the four million mark in home attendance (the Toronto Blue Jays did it from 1991 to 1993), drawing a league-record 4,090,696. Their home attendance rose during the next three years, reaching a league-record 4,298,655 in 2008. But attendance dipped to 3,719,358 in the first year at the new stadium, which had fewer seats and higher ticket prices.
Mr. Steinbrenner lived year-round in Tampa, but he became a New York celebrity and a figure in popular culture. He was lampooned, with his permission, by a caricature in the sitcom “Seinfeld,” portrayed by the actor Lee Bear, who was always photographed from behind at the Boss’s desk, flailing his arms and suitably imperious, while Larry David, the show’s co-creator, provided the voice. George Costanza (Jason Alexander) became Mr. Steinbrenner’s assistant traveling secretary, whose duties included fetching calzones for him.
Mr. Steinbrenner also appeared in a Visa commercial with Jeter, calling him into his office to admonish him. “You’re our starting shortstop,” Mr. Steinbrenner said. “How can you possibly afford to spend two nights dancing, two nights eating out and three nights just carousing with your friends?” Jeter responded by holding up a Visa card. Mr. Steinbrenner exclaimed “Oh!” and the scene shifted to Mr. Steinbrenner in a dance line with Jeter at a night spot.
Mr. Steinbrenner usually adored his players but at times insulted them. He called outfielder Paul O’Neill “the ultimate warrior.” (Steinbrenner idolized Generals MacArthur and Patton.) But he derided the star outfielder Dave Winfield, with whom he feuded, calling him Mr. May, pointedly contrasting him with Reggie Jackson, who had been known as Mr. October for his clutch hitting in the postseason. He denounced the portly pitcher Hideki Irabu as a fat toad when he was late covering first base in an exhibition game.
Mr. Steinbrenner feuded with his fellow club owners, baseball commissioners and umpires. He was twice barred from baseball, once after pleading guilty to making illegal political campaign contributions. By October 1995, when he was fined for complaining about the umpires in a playoff series with the Seattle Mariners, Mr. Steinbrenner had accumulated disciplinary costs of $645,000.
When he was not phoning his general managers and managers with complaints or advice, he meddled in the smallest matters of ballpark maintenance. He was often portrayed by the news media as a blowhard and a baseball know-nothing.
“George is a great guy, unless you have to work for him,” Lou Piniella, who managed the Yankees twice in the 1980s, told Sports Illustrated in 2004. Mr. Steinbrenner saw himself as sticking up for the everyday New Yorker, though the price of Yankees tickets kept rising.
“I care about New York dearly,” he told Sports Illustrated in 2004. “I like every cab driver, every guy that stops the car and honks, every truck driver. I feed on that.”
He helped many charities and individuals in need and as a board member was a major fund-raiser for the historically black Grambling State University in Louisiana.
Mr. Steinbrenner, who was vice president of the United States Olympic Committee from 1989 to 1996, viewed himself as a patriot. He continued to have “God Bless America” played during the seventh-inning stretch at Yankee Stadium when other teams had dropped such touches, begun after the 9/11 terrorist attacks. But he opposed American involvement in the inaugural World Baseball Classic of 2006, fearing that his star players might be injured in it. He was pleased when his left fielder Hideki Matsui declined to join the Japanese team.
Bud Selig, the baseball commissioner, once remarked: “George has been a very charismatic, controversial owner. But look, he did what he set out to do. He restored the New York Yankees franchise.”
George Michael Steinbrenner III, named for a grandfather, was born on July 4, 1930, the oldest of three children, and reared in the Cleveland suburb of Bay Village. His father, Henry Steinbrenner, graduated from the Massachusetts Institute of Technology with a degree in naval architecture and engineering and starred as a collegiate hurdler before taking over the family’s maritime shipping business.
Young George tried to please his father by taking up hurdling and running a home-based business that raised chickens and sold their eggs.
“He was a tough taskmaster,” Mr. Steinbrenner once said of his father. “You know, if I ran four races in track, won three and lost one, he’d say, ‘Now go sit down and study that one race and see why you lost it.’ ”
His mother, Rita, offered a contrasting presence. “It was my mom who gave me compassion for the underdog and for people in need,” Mr. Steinbrenner was quoted saying by Bill Madden in “Steinbrenner: The Last Lion of Baseball” in an apparent reference to what would be his many charitable endeavors.
Mr. Steinbrenner attended Culver Military Academy in Indiana in the mid-1940s. His father, who idolized the Yankees’ Joe DiMaggio and Bill Dickey, took him to Cleveland to watch Indians games, especially when the Yankees came to town. “We were in awe of the Yankees,” Mr. Steinbrenner said.
Mr. Steinbrenner graduated from Williams College in Massachusetts with a degree in English, and he ran hurdles and played football, as a halfback. He served as an Air Force officer, coached high school football and basketball in Ohio, and was briefly an assistant football coach at Northwestern and Purdue.
He returned to Cleveland in 1957 to join the family’s longtime shipping firm, Kinsman Marine Transit, which carried Great Lakes cargo. He also operated the Cleveland Pipers, a professional basketball team.
In 1967, Mr. Steinbrenner began obtaining stock in the American Shipbuilding Company, based in Lorain, Ohio. He eventually took it over, merging it with Kinsman. By the time he gained control of the Yankees six years later, the company had greatly strengthened its operations.
Gabe Paul, a veteran baseball executive who helped arrange Mr. Steinbrenner’s purchase of the Yankees (shortly after a failed bid to buy the Indians) and became a limited partner in the team and then the Yankees president, and Lee MacPhail, the holdover general manager from the CBS years, were expected to make the personnel decisions when Mr. Steinbrenner arrived. But he quickly became immersed in baseball decisions and craved the celebrity aura that could never have come his way as a wealthy shipping executive. He began to spend large sums to end the long pennant drought, starting with the acquisition of the star pitcher Catfish Hunter.
Mr. Steinbrenner, meanwhile, ran into trouble in a matter far beyond the ball fields. In November 1974, Commissioner Bowie Kuhn suspended him for two years — a term later reduced to 15 months — after he pleaded guilty to two charges, one a felony and the other a misdemeanor: conspiring to make illegal corporate contributions to President Richard M. Nixon’s 1972 re-election campaign, and trying to “influence and intimidate employees” of his shipbuilding company to lie to a grand jury about the matter. He was fined $15,000 in the criminal case but given no jail time.
“Everybody has dents in his armor,” Mr. Steinbrenner told The New York Times in 1987. “That’s something I have to live with.” President Ronald Reagan pardoned him in January 1989, during his final days in office.
When free agency arrived as a result of an arbitrator’s decision in 1975 that nullified the reserve clause, which had bound players to their teams, Mr. Steinbrenner stepped up his spending.
The Yankees signed the slugger Reggie Jackson and the ace relief pitcher Goose Gossage, and they won the World Series in 1977 and 1978.
Mr. Steinbrenner changed managers and general managers with abandon, punctuated by the bizarre comings and goings of Martin. The oddest sequence began on July 24, 1978, when Martin resigned as manager, presumably a step ahead of being fired, after saying of Jackson and Mr. Steinbrenner: “The two of them deserve each other. One’s a born liar; the other’s convicted,” a reference to Mr. Steinbrenner’s guilty plea in the illegal-contributions case.
Only five days later, on Old-Timers’ Day at Yankee Stadium, Martin was introduced as the Yankees’ manager for 1980. Instead he returned in June 1979, replacing the fired Bob Lemon, only to be fired himself a month after that season ended.
Dick Howser was named manager in 1980 and led the Yankees to a division championship, but soon after the season concluded, Mr. Steinbrenner announced that Howser was leaving to pursue “an outstanding offer in real estate,” an opportunity that remained a mystery.
After the Yankees lost to the Dodgers in Game 5 of the 1981 World Series at Los Angeles, Mr. Steinbrenner broke his hand. He said he had punched two men who insulted him and the Yankees in a hotel elevator. But the supposed assailants were never identified.
Another furor arose in 1985, this one surrounding Yogi Berra, the Yankees’ Hall of Fame catcher, who had become the manager. After declaring that “Yogi will be the manager the entire season, win or lose,” Mr. Steinbrenner fired him with the team off to a 6-10 start and dispatched the Yankees executive Clyde King to give Berra the news. Berra, furious, refused to set foot inside Yankee Stadium until Steinbrenner apologized 14 years later.
The Yankees struck a major financial coup in 1988 with a 12-year, $486 million TV deal with the Madison Square Garden network. But the team had been without a pennant since 1981 — a split season because of a players’ strike — and free agents had been reluctant to enter Mr. Steinbrenner’s turbulent domain.
By 1990, he had switched managers 18 times and hired 13 general managers.
Then came more trouble. In July 1990, Commissioner Fay Vincent ordered Mr. Steinbrenner to step aside as the Yankees’ managing partner for making a $40,000 payment to a confessed gambler named Howard Spira in return for Mr. Spira’s seeking damaging information about Winfield. Mr. Steinbrenner had been displeased with Winfield’s performance on the field, and the two had feuded over contributions Mr. Steinbrenner was to make to Winfield’s philanthropic foundation.
Mr. Steinbrenner resumed control of the Yankees in 1993, and three years later they were World Series champions again, beginning a long run of dominance.
By the 1990s, with free agents becoming ever more expensive, Mr. Steinbrenner acknowledged the need to develop the Yankees’ minor league system. The Yankees swept to championships with home-grown talent like Jeter, center fielder Bernie Williams, catcher Jorge Posada and pitchers Andy Pettitte and Mariano Rivera. But they also assumed more than $100 million in payments owed to Alex Rodriguez, who arrived in a trade with the Texas Rangers, and obtained the high-priced Jason Giambi, Roger Clemens and Randy Johnson.
In 2002, an investment group that included the Yankees formed the YES network to carry many games and broadcast Yankees-related programming. YES had $257 million in revenue in 2005, for the first time surpassing MSG as the country’s top regional sports network, according to Kagan Research.
The Yankees’ management achieved stability in the last decade as the team captured World Series championships in 1996 and every year from 1998 to 2000. But the Yankees faltered after that in their bid for another World Series title, and when they were knocked out of the playoffs by the upstart Detroit Tigers in 2006, speculation arose that Mr. Steinbrenner would fire Torre.
Torre, the manager since 1996, stayed on, and Mr. Cashman, the general manager since 1998 and a frequent object of Mr. Steinbrenner’s criticism, remained as well.
Even in his earliest days running the Yankees, Mr. Steinbrenner acknowledged that he seemed to rule through fear.
“Some guys can lead through real, genuine respect,” he told Cleveland magazine in 1974. “There are some guys who people would walk through a wall for, O.K., but I’m not that kind of a leader.” He likened himself to George Patton: “He was a gruff son of a bitch and he led through fear. I hope I don’t lead through fear, and I would hope it was more love and respect, but maybe it isn’t.”
Mr. Steinbrenner’s wrath often extended to the workers at Yankee Stadium. During an interview with The Times at his office in 1998, he called in two food-service employees and pushed a pretzel at them. “You call that fresh?” he said.
Always fastidious about his own grooming, he insisted that his players shun unruly hair and beards, displaying something of the disciplinarian he had been at home, with his children. He admitted he had been overbearing and even verbally abusive toward them. His daughter Jennifer said in 2004 that her brothers had absorbed the brunt. “Let’s put it this way: he had very high expectations of us,” she said.
In addition to his wife, Joan, his sons Hal and Hank, and his daughter Jennifer Steinbrenner Swindal, Mr. Steinbrenner is survived by his daughter Jessica Steinbrenner and grandchildren.
Funeral arrangements will be private, the family said. There will be an additional public service with details to be determined.
In his later years Mr. Steinbrenner spent most of his time in Tampa, with his own corps of Yankees advisers, an arrangement that created a rift with the New York hierarchy headed by Mr. Cashman. He had divested himself of most of his business interests. American Shipbuilding filed for bankruptcy in 1993, but he owned a stud farm in Ocala, Fla., and had entered six horses in the Kentucky Derby over the years.
In April 2010, Forbes magazine estimated the Yankees’ value at $1.6 billion. The Red Sox had the second-highest value among major league teams, according to Forbes, far behind the Yankees at $870 million, with the Mets third at $858 million.
In his last years, Mr. Steinbrenner seemed to mellow some, and he spoke of the deaths of many friends. He cried in public on several occasions, including the time he walked past a group of West Point cadets who cheered for him at the Yankees’ 2004 home opener. He cried again in a television interview that day.
“This is a very important thing that we hold the string to,” he said of the Yankees, his voice cracking. “This is the people’s team.”
In building it into a fabulously successful and exceedingly lucrative enterprise, he never lost sight of his credo. As he told The New York Times in 1998: “I hate to lose. Hate, hate, hate to lose.”
Wednesday, December 3, 2008
Odetta, Voice of Civil Rights Movement, Dies at 77 Odetta by Tim Weiner - Obituary (Obit) - NYTimes.com
Odetta, the singer whose deep voice wove together the strongest songs of American folk music and the civil rights movement, died on Tuesday at Lenox Hill Hospital in Manhattan. She was 77.
The cause was heart disease, said her manager, Doug Yeager. He added that she had been hoping to sing at Barack Obama’s inauguration.
Odetta sang at coffeehouses and at Carnegie Hall, made highly influential recordings of blues and ballads, and became one of the most widely known folk-music artists of the 1950s and ’60s. She was a formative influence on dozens of artists, including Bob Dylan, Joan Baez and Janis Joplin.
Her voice was an accompaniment to the black-and-white images of the freedom marchers who walked the roads of Alabama and Mississippi and the boulevards of Washington in the quest to end racial discrimination.
Rosa Parks, the woman who started the boycott of segregated buses in Montgomery, Ala., was once asked which songs meant the most to her. She replied, “All of the songs Odetta sings.”
Odetta at Radio City Music Hall in New York for a "Salute to the Blues" Benefit concert in 2003Odetta, Voice of Civil Rights Era, Dies at 77.
Odetta sang at the march on Washington, a pivotal event in the civil rights movement, in August 1963. Her song that day was “O Freedom,” dating to slavery days: “O freedom, O freedom, O freedom over me, And before I’d be a slave, I’d be buried in my grave, And go home to my Lord and be free.”
Odetta Holmes was born in Birmingham, Ala., on Dec. 31, 1930, in the depths of the Depression. The music of that time and place — particularly prison songs and work songs recorded in the fields of the Deep South — shaped her life.
“They were liberation songs,” she said in a videotaped interview with The New York Times in 2007 for its online feature “The Last Word.” “You’re walking down life’s road, society’s foot is on your throat, every which way you turn you can’t get from under that foot. And you reach a fork in the road and you can either lie down and die, or insist upon your life.”
Her father, Reuben Holmes, died when she was young, and in 1937 she and her mother, Flora Sanders, moved to Los Angeles. Three years later, Odetta discovered that she could sing.
“A teacher told my mother that I had a voice, that maybe I should study,” she recalled. “But I myself didn’t have anything to measure it by.”
She found her own voice by listening to blues, jazz and folk music from the African-American and Anglo-American traditions. She earned a music degree from Los Angeles City College. Her training in classical music and musical theater was “a nice exercise, but it had nothing to do with my life,” she said.
“The folk songs were — the anger,” she emphasized.
In a 2005 National Public Radio interview, she said: “School taught me how to count and taught me how to put a sentence together. But as far as the human spirit goes, I learned through folk music.”
In 1950, Odetta began singing professionally in a West Coast production of the musical “Finian’s Rainbow,” but she found a stronger calling in the bohemian coffeehouses of San Francisco. “We would finish our play, we’d go to the joint, and people would sit around playing guitars and singing songs and it felt like home,” she said.
She began singing in nightclubs, cutting a striking figure with her guitar and her close-cropped hair.
Her voice plunged deep and soared high, and her songs blended the personal and the political, the theatrical and the spiritual. Her first solo album, “Odetta Sings Ballads and Blues,” resonated with an audience hearing old songs made new.
Bob Dylan, referring to that recording, said in a 1978 interview, “The first thing that turned me on to folk singing was Odetta.” He said he heard something “vital and personal,” and added, “I learned all the songs on that record.” It was her first, and the songs were “Mule Skinner,” “Jack of Diamonds,” “Water Boy,” “ ’Buked and Scorned.”
Her blues and spirituals led directly to her work for the civil rights movement. They were two rivers running together, she said in her interview with The Times. The words and music captured “the fury and frustration that I had growing up.”
Her fame hit a peak in 1963, when she marched with the Rev. Dr. Martin Luther King Jr. and performed for President John F. Kennedy. But after King was assassinated in 1968, the wind went out of the sails of the civil rights movement and the songs of protest and resistance that had been the movement’s soundtrack. Odetta’s fame flagged for years thereafter.
In 1999 President Bill Clinton awarded Odetta the National Endowment for the Arts Medal of the Arts and Humanities.
Odetta was married three times: to Don Gordon, to Gary Shead, and, in 1977, to the blues musician Iverson Minter, known professionally as Louisiana Red. The first two marriages ended in divorce; Mr. Minter moved to Germany in 1983 to pursue his performing career.
She was singing and performing well into the 21st century, and her influence stayed strong.
In April 2007, half a century after Bob Dylan first heard her, she was on stage at a Carnegie Hall tribute to Bruce Springsteen. She turned one of his songs, “57 Channels,” into a chanted poem, and Mr. Springsteen came out from the wings to call it “the greatest version” of the song he had ever heard.
Reviewing a December 2006 performance, James Reed of The Boston Globe wrote: “Odetta’s voice is still a force of nature — something commented upon endlessly as folks exited the auditorium — and her phrasing and sensibility for a song have grown more complex and shaded.”
The critic called her “a majestic figure in American music, a direct gateway to bygone generations that feel so foreign today.”

